Research Guides: Black Studies Summer Seminar 2021: Articles, Book Chapters &amp; More

Alkalimat, Abdul. “eBlack Studies: A Twenty‐First‐Century Challenge.” Souls 2, no. 3 (2000): 69–76.
---. “The Sankofa Principle: From the Drum to the Digital.” Keynote lecture presented at 30th Symposium on African American Culture and Philosophy Purdue University West Lafayette, IN, December 2016.
Antwi, Phanuel and David Chariandy. “Introduction.” Transition no. 124 (2017): 31.
Antwi, Phanuel and David Chariandy. "Writing Black Canadas", Transition no. 124, (2017), 31-37.
Campbell, Mark V. (2008). “A Paradigmatic Poetics of Reading: The Case of Afrodiasporic Culture in Canada”. Fuse Magazine 31 (3) pp.24-30.
Chakravartty, Paula and Denise Ferreira da Silva. “Accumulation, Dispossession, and Debt: The Racial Logic of Global Capitalism—An Introduction”. American Quarterly 64, no. 3 (September 2012): 361-385.
Ferreira da Silva, Denise “1 (life) ÷ 0 (blackness) = ∞ − ∞ or ∞ / ∞: On Matter Beyond the Equation of Value.” e-flux 79 (February 2017): 1-11.
Ferreira da Silva, Denise. “Unpayable Debt: Reading Scenes of Value against the Arrow of Time.” In The Documenta 14 Reader, edited by Quinn Latimer and Adam Szymczyk, 81-112. London: Prestel Publishing, 2017.
Fanton, Andrea. “Where Outreach Meets Outrage: Racial Equity at The Canada Council for the Arts (1989 – 1999)." [Doctoral dissertation, Ontario Institute for Studies in Education of the University of Toronto]. 2011.
Fatona, Andrea and Hudson, Peter James and Walcott, Rinaldo and Kenzie, Alison. Reading the image: poetics of the black diaspora: Deane Bowen, Christopher Cozier, Michael Fernandes, Maud Sulter [Exhibition Catalogue]. Canada Council for the Arts, Ottawa, Canada. 2006.
Hudson, Peter James, and Aaron Kamugisha. “On Black Canadian Thought.” In “Black Canadian Thought” eds. Peter James Hudson and Aaron Kamugisha, special issue, The CLR James Journal 20, no. 1-2 (Fall 2014): 3–20.
Jafa, Arthur. “The Black Visual Intonation.” In The Jazz Cadence of American Culture edited by Robert G. O’Meally, 264–68. New York: Columbia University Press, 1998.
Joachim, Joana. “Embodiment and Subjectivity: Intersectional Black Feminist Curatorial Practices in Canada." RACAR: Revue d'art canadienne / Canadian Art Review., 43, no 2 (2018): 34-47.
McKittrick, Katherine and Alexander G. Weheliye. “808s & Heartbreak,” Propter Nos 2, no. 1 (2017): 13-42.
El-Hadi, Nehal. “‘Sounding that Precarious Existence’: On R&B Music, Technology, AND Blackness Interview with Alexander G. Weheliye.” The Puritain 42 (Summer 2018). http://puritan-magazine.com/sounding-that-precarious-existence-on-rb-music-technology-and-blackness/#top
Fatona, Andrea and Liz Ikiriko. "Speaking Ourselves into Being." C Magazine, no.144, Winter 2020.
Noble, Safiya Umoja. "Toward a Critical Black Digital Humanities." In Debates in the Digital Humanities 2019, edited by Gold Matthew K. and Klein Lauren F, 27-35. Minneapolis, MN: University of Minnesota Press, 2019.
Parham, Marisa. “.break .dance ---> a choreo-essay.” In “Slavery in the Machine” eds. Kaiama L. Glover and Alex Gil, special issue, sx archipelagos journal 3, July 2019.
van Veen, tobias c. and Reynaldo Anderson. “Future Movements: Black Lives, Black Politics, Black Futures—An Introduction.” TOPIA: Canadian Journal of Cultural Studies 39 (2018): 5–21.
Wynter, Sylvia. "A Black Studies Manifesto." In Forum N.H.I.: Knowledge for the 21st Century: Knowledge on Trial 1, no. 1 (Fall 1994): 3-11.