Sun Ra by
A collection of interviews and essays on Sun Ra, his contemporaries, his records, his myth and his fan base. Composer, bandleader, pianist and space philosopher, Sun Ra was a unique individual and one of the most colorful and enduring of musical legacies, transcending time, place and culture. From the mid 1950s until his death in 1993, Sun Ra led "The Arkestraa, a fluid collective that lived and played together under the despotic tutelage of their leader, who claimed to hail from Saturn. Their music was jazz, but avant garde compositions in which players were instructed to adhere to a "space keya -improvising without regard for conventional tonal centers-was symptomatic of an altogether different direction in sound: electronic music, space music and free improvisation. But Sun Ra's legendary status was earned as much for his eccentricities as for his unique artistic vision. He developed and propagated a mystifying sci-fi mythology which he weaved into both the music and Dadaist performances of The Arkestra (performances which inspired artists as diverse as George Clinton and MC5). This book collects together for the first time interviews with Sun Ra, the people that knew him, and his contemporaries, alongside illuminating essays and conversational pieces regarding his prolific musical output, mystique, philosophy, fans, and much more. Contributions from Wayne Kramer, Michael Simmons, Ben Edmonds, Amiri Baraka, Rick Steiger, David Henderson, John Sinclair and others.
Space Is the Place by
John F. Szwed's Space is the Place is the definitive biography of Sun Ra--composer, keyboardist, bandleader, philosopher, entrepreneur, poet, self-proclaimed extraterrestrial from Saturn, and a founder of Afrofuturism.
Sun Ra's Chicago by
Sun Ra (1914-93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra's Chicago, William Sites brings this visionary musician back to earth--specifically to the city's South Side, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources--from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica--to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra's Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city--and that by excavating the postwar black experience of Sun Ra's South Side milieu, we can come to see the possibilities of urban life in new ways.
Blutopia by
In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future. A century after Ellington's birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has--even if inadvertently--incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work. Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
Pathways to Unknown Worlds by
Philosopher, Afro-futurist, and jazz legend Sun Ra (1914-93) constructed much of his complicated public persona during his sojourn in Chicago in the mid-1950s. Working with a still-shadowy underground fraternal organization, Ra amassed a library of books on the occult, Egyptology, race studies, Theosophy, and religion--all in service of drawing elliptical connections between these disparate bodies of knowledge. This work became the foundation of the personal mythology Ra employed in the 1960s when he began fronting his Myth-Science Arkestra and started drawing attention from more mainstream jazz fans. Pathways to Unknown Worlds presents a kaleidoscopic range of materials from those years, including original record cover designs and production materials, paper ephemera, and photographs. These materials--most previously unseen--dramatically flesh out the story of Sun Ra's mystical journey of discovery and his lofty goals for the dissemination of his new knowled≥ they are certain to fascinate and delight Ra's legion of fans.
A Pure Solar World by
Sun Ra said he came from Saturn. Known on earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the "Arkestra." Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created "space music" as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers a spirited introduction to the life and work of this legendary but underappreciated musician, composer, and poet. Paul Youngquist explores and assesses Sun Ra's wide-ranging creative output--music, public preaching, graphic design, film and stage performance, and poetry--and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, Youngquist masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.
Sun Ra Interview, Helsinki, 1971